Concealment in Art and Life

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Is more clarity always better? Is the ideal perfect knowledge? Ought we (at least try to) banish mystery and the unknown to remnants of a bygone, pre-scientific era? Now, I’m not talking about morality here; the somewhat cliched, “Everyone is trying to figure out how to do X, without asking if we should do it” (the suggestion being that we should deliberately restrict our knowledge in certain ways), nor am I talking about that last bastion of religious and mystical types who bemoan the loss of wonder and enchantment, as if a) understanding a sunset makes it somehow less magnificent to behold, and b) ignorance is something to be cherished. Rather, in this article, we are going to discuss the unknown as it pertains to art and life (and by the term ‘life’, I mean human (i.e. conscious, self-aware) existence). Specifically, I want to ask whether there is any room left for mystery, or the unknowable, in the modern, optimistic, scientific era in which we live.

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